Anti-Authoritarian
The generation of Theo Botschuijver (1943) grew up in the liberating counterculture of the sixties. After his exam at the Academy for Industrial Design in Eindhoven*, Botschuijver was seized by the optimism of new art, alternative music and a new – anti-authoritarian – mores. The hippies, provos and movements such as Fluxus built a bridge between art and everyday life. The number of performances, pop festivals and happenings soon grew in the Netherlands as well. Pop art and Land art were advancing. ‘Art had to be touchable and the boundaries between art, design, music and technology were deliberately shaken. Pop art was fundamentally cross-border and very international in outlook.’
*AIVE today: Eindhoven Design Academy